At Newcastle Regional Gallery until 13th July.
Curated by Sarah Johnson.
There’s the familiar pieces such as Joseph Lycett’s depiction of Newcastle circa 1818 and Richard Browne’s images of indigenous Australians but amongst these popular works are new acquisitions adding to the emotional history of the region and of course to the collection of the Newcastle Art Gallery.
Until 13th July Novocastria will be on display in the lower section of the gallery. This exhibition represents art of the Newcastle region, fascinating in its description of the evolving settlement since the early 1800’s and also for the progression in artistic development since then.
Each piece in this exhibition has a quality deserving of critique however time being of the essence for both writer and reader means this worthy toil is to be abandoned. But alas the highlights!
The ANZAC legend being in the spotlight at present makes contemporary artist Archie Moore’s work pertinent. General Sanders vs Colonel Sanders 2013 questions the construction of the giant fast food outlet, namely KFC in Hunter St, on land significant to Indigenous culture. The artwork consists of a repurposed book whose content covers the ANZAC’s. Out of this, the western diet of chicken, chips and soft drink is produced as a miniature paper sculpture. It’s a relevant artwork covering many ironies not least the positioning of significant architecture to promote a product epitomising the industrialisation of food to the detriment of the human body.
Joseph McGlennon’s Thylacine study number 4 is not directly associated with the local region though its clear message and also its relevance as a new acquisition make it a welcome addition. This constructed image of a taxidermied Tasmanian Tiger placed prominently in the sublime wilderness demonstrates the fragility of the environment when dominated by a being that places its own importance before the species of others. The inhospitable landscape of Tasmania allowed the Thylacine to survive until European settlements took hold and this allegorical work prompts the viewer to acknowledge the mass extinction taking place on earth at this very moment. Our species capacity to tame, manipulate and destruct is bravely recognised in McGlennon’s work.
It’s encouraging to see local artist’s finding voice in this current exhibition. The recent acquisition of Liam Power’s work “Land Bulk Study nos. 1-9 2013” is a scholarly endeavour in colour and shape. Michael Bell unites Dog Beach and a ceramic vessel to create a stunning object of art. And Isabel Gomez rewards the viewer with a pared back view of the industry and the harbour.
The curatorial proficiency demonstrates a unified approach to the merging of diverse art periods and techniques. A cohesive exhibition is the result which further proves the value of our Newcastle Regional Gallery.